Excerpt from The Chautauquan Daily By Andrew Druckenbrod, Guest Critic Think of the volume of a typical orchestral fortissimo and then double it. Then double it again. Now you have a good sense of the decibel level inside the Amphitheater Thursday night. The first amplification came with Igor Stravinsky’s “The Rite of Spring,” one of the loudest works in the Western canon. The second was due to …
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